Editorial markings as analysis in Bach's Partita No. 1 for solo violin, "corrente"
Editorial articulation marks in J. S. Bach's solo violin repertoire reflect not only contemporary performance practice, but can represent the editor's perception of the musical structure. This paper highlights differences in motivic, harmonic, and voice-leading structures between editions and arrangements of J. S. Bach's Partita No. lfor Solo Violin (BWV 1002), "Corrente.
Music Theory Online
Peebles, Crystal A., "Editorial markings as analysis in Bach's Partita No. 1 for solo violin, "corrente"" (2018). Faculty Articles Indexed in Scopus. 270.