Title

Editorial markings as analysis in Bach's Partita No. 1 for solo violin, "corrente"

Document Type

Article

Publication Date

12-1-2018

Abstract

Editorial articulation marks in J. S. Bach's solo violin repertoire reflect not only contemporary performance practice, but can represent the editor's perception of the musical structure. This paper highlights differences in motivic, harmonic, and voice-leading structures between editions and arrangements of J. S. Bach's Partita No. lfor Solo Violin (BWV 1002), "Corrente.

Publication Name

Music Theory Online

Volume Number

24

Issue Number

4

DOI

10.30535/mto.24.4.4

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